Comes to the fact that some producers and directors, disappointment, multi-ton pile of spit on the viewed scenarios sit down and write a script on their own, which ultimately stifles the domestic cinema. And it is not just the money studios adds. Why? Because it is impossible to create a masterpiece, not being professional. "But where are they? Where professional writers? "- asked the producers -" They also can be counted on the fingers. " And I agree. The great disadvantage of the Russian market of cinema are two things. Let's start with the almost complete absence of scenario agencies. It is one thing – a quality script, and quite another – move it to market and sell.
And if the script has to write a professional screenwriter, the script must sell a professional agent. Otherwise writer, instead of having to create the next masterpiece will be engaged and promotion, and sale, and review of contracts and a host of other cases that have to deal with an agent. The effectiveness of the writer in this case reduced several times, because it becomes difficult to focus on what he is really a master. The second minus our film market – it is literally befouled by amateurs, the writers, who, not understanding the technology how to write scripts, create, to put it mildly, a sleeping pill for editors and producers. His eyes stick together on the front pages and into the trash flies, another pack of paper impregnated with a boring text.